With the Zorki-10, the Narciss, the Drug and the Iskra, the Voskhod is one of those cameras that prove that the Soviet-Russian camera industry was capable of more than just producing bulky, crude Leica copies. Very un-Zorki-like, the Voskhod has a grace and elegance not often seen in cameras from the former Soviet Union, and some design and technical features which were unique for its time [2].
